TMA01 – Northern Lights – To what extent is it a children’s disc and does it accommodate to ‘instruction through delight’ as other children’s arrests does? I have chosen to discuss Philip Pullman’s hand Northern Lights which was published to great critical laudation in 1995 by the children’s publishers Scholastic and therefore in the first rear marketed as a children’s book. It was later published with a more ‘adult’ jacket to appeal to older endorsers although in my view the original cover does not appear to be aimed at any particular sex or advanced group. Perhaps it was only marketed in this way because Philip Pullman was already have intercourse as a children’s author. The series is marketed as new adult fiction and has the corresponding young heroine and lack of knowledgeable content, but it has a sophistication and dark edge thats humorous in the genre. That same sophistication reac hs it even more harming for adults than the average well-written young adult series. I chose to write an grant about this novel because to define it as purely a piece of Children’s Literature seems too simplistic and I believe that there are many features of this book that could key it as an adult book too.

The plot is at period quite complex and the ideas and concepts that are voiced in the book guard it fascinating. Its charm lies in the fact that Pullman does not make the assumption that children do not have the required skills to narrative Northern Lights and therefore the text is not patronising or vacu ous in any way. Typical examples of child! ren’s literature share many features such as themes, characters and plots, such as clear and simple language and possibly a fairy-tale opening, e.g.: ‘ one time upon a time....’ In the case of Northern Lights however, the book starts with the execration ‘Lyra and her Daemon moved through the darkening hall…’ which places the reader immediately in...If you want to get a full essay, find it on our website:
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