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Tuesday, October 22, 2013

IS MODERN ART REALLY ART?

Dead animals, elephant dung, unmake beds and rice all seem handle habitual objects but should we be calling them artistic knowledgeability? When we were growing up we were taught that art was a beautiful film - like forefront Goghs Sunflowers, or a perfect sculpt of a piece - like Michelangelos David, but we were never sincerely taught that conceptual and contemporaneous art were proper(a) forms of art, flat though it was naturalised in the sixties. It made us destine and challenge our stimulate assumptions of what art should really look like. People didnt understand the image of cows cut in half (Damien Hirst), wire prosecute lockers (Mona Hatoum), rubble (Richard Long) or wish-wash (Tomoko Takahashi) being called art unless you could signifier it nicely on your living room wall. The fact that this image of art didnt fit neatly into pluralitys ideas of what art should be was the dry land it was called conceptual. Conceptual and contemporary art got a huge answer out of people because they felt conned and marginally embarrassed when, for example, they looked at Martin Creeds light going on and wrap up and didnt soften it. They didnt like the fact that they couldnt work out the straight gist of what the artist was trying to beat across. It also got a answer for another reason which was the simplicity of some of the art. Im confident(predicate) that when all the people who were working long hours every calendar week looked at the well-paid artist Tracey Emins unmade bed they were desperately squall to themselves, still I COULD DO THAT! and thinking whether conceptual art is even worth looking at.
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